Julia R. Barton
  • Editor, media trainer, producer & writer
  • julia(dot)ruth(dot)barton(at)gmail(dot)com
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2.13.14

Neither Confirm Nor Deny

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2.08.14
1.29.14
7.23.13

Vox Tablet

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July 19, 2013

Yesterday’s sentencing of Russia’s most prominent opposition leader, Alexei Navalny, was just the latest in a steady stream of blows to the democracy that President Vladimir Putin has ruled with near-dictatorial authority for more than a decade. Navalny, an anticorruption activist, was given a 5-year prison sentence for what most observers say are trumped up charges of embezzlement.

If you know anything about Navalny, or about Pussy Riot, or about new laws in Russia that erode freedom of speech, punish gays and lesbians, and intimidate nongovernmental organizations, there’s a good chance you’ve read the work of Masha Gessen, Miriam Elder, or Michael Idov. Gessen is the author of, most recently, The Man Without a Face: The Unlikely Rise of Vladimir Putin (as well as an upcoming book for Tablet’s sister organization’s Jewish Encounters series), and a regular contributor to the New York Times. Elder is on her last days as Moscow bureau chief for the Guardian (she is moving to Buzzfeed later this month, where she’ll be the site’s foreign editor). Idov is editor in chief of Russia GQ.

All three are children of Soviet refuseniks and have dedicated the past few years (or, in Gessen’s case, the past two decades) of their journalistic careers to understanding what’s happening in Russia and to making that place comprehensible to the rest of us. Reporters of similar backgrounds have come before them (New Yorker and Tablet Magazine contributor Julia Ioffe among them), but they are the few holdouts. As the picture from there turns grimmer, and in light of their parents’ experiences, one has to wonder how much longer they’ll stick around. In today’s Vox Tablet, contributor Julia Barton speaks to each of them about why they’ve chosen to live and work in the place from which their parents fled, what they want their readers to understand about life and politics in Russia, and what sort of future they see there, for themselves and for the country. [Running time: 14:00.]

Read more at http://www.tabletmag.com/podcasts/138356/the-children-of-refuseniks-report-from-the-frontlines-of-putin%e2%80%99s-russia#YeG5WvRTbpY60f7o.99

11.24.12
10.05.12
3.26.12
2.15.12
2.04.12
1.22.12

Middle Class in Ukraine

By Julia Barton May 22, 2012

Like her country, Olena Koshil has been running non-stop for 20 years. At only 32, she manages a TV production company in Kiev. She speaks several languages and has been working in national TV since she was a teenager. In 2004, like many other urban professionals, she became involved in the political upheavals known as the Orange Revolution.

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11.17.11

Soviet Art, Country Music

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Why does a country music megastar and all-American guy like Ronnie Dunn — half of what was Nashville’s biggest act, Brooks & Dunn — have a house full of paintings from the Soviet Union? It’s a long story.

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7.03.11
3.15.11
3.14.11
3.03.11

CBC Spark: “Media Fasting”

We often talk about the potential power for using digital communications tools to do collaborative learning, and to take learning outside the classroom. On the other hand, it’s important sometimes to get unplugged and just experience the world around you unmediated by the screen. Enter the concept of the media fast: pulling oneself away from the computer (or netbook or cell phone) for a set period of time. That kind of digital cleanse has been going on for as long digital media itself. But for a growing number of college students, it’s not a choice. College professors are increasingly assigning media fasts. We sent reporter Julia Barton to find out the results of one such recent assignment.

CBC Spark, May 2-4, 2010

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